I wanted to like this product. I really did. Back in August I made a quick lust-post about the Belkin Concealed Surge Protectors, and today I found them on price markdown at Target, from $49.99 to $39.99. One of my bad habits is cleaning like crazy as a distraction when I’m stressed over a deadline (*cough*THESIS*cough*) so I couldn’t resist. I snapped it up, brought it home and then spent a happy hour rewiring the rat’s nest under my desk.
I should have known that I was in trouble when I got it out of the package and the bloody thing wouldn’t close properly. The Concealed Surge Protector’s simple concept is also its undoing: somehow the engineers at Belkin failed to take into consideration the sheer girth and resistance of a bundle of wires when stuffing them into their svelte beast, so the simple plastic clasps that are meant to hold the thing shut utterly fail when actually in use. Instead of an industrial-strength clasp akin to those found on Timbuk2 bags, for instance, this thing simply uses two tiny tongues meant to clip onto the underside of the door. They’re weaker than soaked newspaper. I finally wound up using four rubber bands around the middle of the thing to keep it shut.
My floor is now clearer of clutter, if not cleared completely. One nice thing about the product is that it offers a generous eleven outlets, so that went a long way towards reducing my power headaches, but I’m still annoyed that the simplicity that was supposed to be the product’s biggest selling point also killed its functionality, and was then completely undermined by the necessity of rubber bands to make it work. Rubber. Freaking. Bands. C’mon, Belkin great idea, jaw-droppingly crappy execution.
My verdict: not worth returning if you’ve already bought it, but try not to buy it in the first place.
Storyteller, scholar, consultant. Loving son, husband and father. Kindhearted mischief-maker.
I'm the Director of the Games and Simulation program at Miami University in Ohio, where I am also an Assistant Professor in the College of Creative Arts' Emerging Technology in Business and Design department. I'm also the director of Miami's Worldbuilding and Narrative Design Research Laboratory (WNDRLab). I have a Master's in Comparative Media Studies from MIT and a PhD in Media Arts and Practices from the University of Southern California.
In past lives I've been the lead Narrative Producer for Microsoft Studios and cofounder of its Narrative Design team, working on projects like Hololens, Quantum Break and new IP incubation; in a "future of media" think tank for Microsoft's CXO/CTO and its Chief Software Architect; the Creative Director for the University of Southern California's World Building Media Lab and the Technical Director, Creative Director and a Research Fellow for USC's Annenberg Innovation Lab; a Visiting Assistant Professor at Whittier College and director of its Whittier Other Worlds Laboratory (WOWLab); the Communications Director and a researcher for the Singapore-MIT GAMBIT Game Lab; a founding member of the Convergence Culture Consortium at MIT (now The Futures of Entertainment); a magazine editor; and a award-winning short film producer. more »
The opinions put forward in this blog are mine alone, and do not reflect the opinions of my employers.